Here, you’ll find review from customers and reviewer-specialists and article about Leonardo Labs and its software.

• About Qwaz Pro

I can stop searching ★★★★★
Version 1.01.4 – Apr. 8,  2015

«This is the ideal app for transcribing interviews on a mobile device. It does everything that I need it to do and much more. The developer was quick to reply to my inquiry, great customer service. This is going to make my life so much easier. I was using Dictapad but it suddenly stopped working and I haven’t heard back from it’s developer. This app is so much more advanced and worth every penny. Now I wish I had one for my Mac so I could simply sync my documents, but it works smoothly with iCloud and other apps so that’s not really much of an issue.»
Review on Appstore by Mme X, social scientist, Canada.

• About Qwaz Audio

A new voice recording application with full of useful features
Test on Version 1.21 – Apr. 16, 2015

«(… ) Qwaz audio is not cheap, but I have discovered so far not as feature-rich voice recorder app for the iPhone. If you want more frequent record interviews or conversations should invest 25 euros. For the money, you get a very good voice recorder app with features that you could wish for in any classical voice recorder. And if you are unsure, you can always test the light version that is offered parallel to the full version on the App Store.»
Sebastian Brinkmann, on, a german blog on journalism tools.

A real time savor for retranscriptions

Test on version 1.21ß – March 3, 2015

«I was fortunate to test a pre-release of Qwaz Audio application by Leonardo Labs. This software is quite useful to transcribe audio into text, as I can slower the recording to line it up with my typing speed. Thus, when one’s obliged to halt, the adjustable “rewind on pause” feature save time as it prevents from manual rewinding. Environment is intuitive, help is understandable and it’s usage is really simple.»
M.-L.P.C., Communication officer. France

• About Qwaz technology

Qwaz, sound made to serve text
Interview published on Feb 23, 2015 on (in french)

© 2024 Denis Delbecq